© James Tappin, The Atom Tree, Rutherford Appleton Lab, Harwell Campus, Oxon, UK; Yashica 44, Kodak Gold 200 (expired 1996, exposed at EI 50; there was a slip in the box saying that this was the last batch of Gold 200 that would be made in 127 format.)
© S. Busquets, Old Factory, new flats; Sabadell (Catalonia); Kodak No.0 Brownie, Ilford FP4 Plus cut down from 120 to 127
© Mika Morizaki, Suwa Taisha, Kanagawa, Japan; Rolleiflex 4x4 (pre-war 411, Rerapan100
© Mika Morizaki, Suwa Taisha, Kanagawa, Japan; Rolleiflex 4x4 (pre-war 411, Rerapan100
©Nicholas Middleton, Hotel Landing; Liverpool, UK; Kodak Brownie 127, Ilford FP4 Plus
© Eben Ostby,
Cement plant NÂș 2; Oakland, CA, USA; Whitehouse Beacon II with flipped
lens, expired Gevaert XL Pan (undated, probably early 60’s)
© John Marriage, End of the Dream; Lyme Regis, Dorset, England; Topcon Primo-Jr (Metered version), Kodak Aerographic 2645
© S. Kaufman. Abandoned garden, Mattituck, NY USA; Komaflex, Konica 160 (expired 2007)
©Mike Maguire, Claire; Washington, DC, USA; Detrola KW 127 camera, Kodak Tri-X 127 film (expired September, 1961)
©Luke Taylor, Kids on the porch; Ferrania RONDINE, Fuji Pro400H
©J. M. Golding, At the borderland of yesterday, Yashica 44LM, Ultrafine Extreme 100 (cut down from 120)
©J. M. Golding, At the borderland of yesterday, Yashica 44LM, Ultrafine Extreme 100 (cut down from 120)
No comments:
Post a Comment