Saturday, August 20, 2022

127 Day Exhibition - 12th of July, 2022

Welcome to the 127 Day online exhibition for the 12th of July, 2022! Twenty-eight artists in eight countries across three continents joined together virtually on January 27, 2022, using 127-format analogue media, to make these photographs, using a remarkable 16 different cameras.* I encourage you to page down to see the wonderful variety of individual styles, moods, subject matter, and films.

If you photograph on film or other analogue media in 127 film format, you're invited to join us for the next 127 Day, on December 7, 2022.

Enjoy! 



©2022 Kawasaki Kazuyoshi, Old Barber; Kanagawa Prefecture, Japan; Rolleiflex 44, Rerapan400
 

 ©paul bear brown,restricted area; Savannah, GA, USA; Rolleiflex 4x4, CineStill 800T
 
 
 © 2022 James Tappin, On Call; Wantage, Oxon, UK; Bencini Comet, Shanghai GP3
 
 
 
 © 2022 N. Nishiyama, Road Signs; Tokyo,Japan; Yashica 44, Rerapan100s
 
 
©2022 Steven Lederman, “What Did I Miss?” (cross-eye stereo); Toronto, Canada; Baby Rolleidoscop, home-rolled expired 46mm Ektachrome
 
 
 © 2022 Saku Tiihonen, The Bystander; Tampere, Finland; Kodak Brownie 127 (1st model), Fomapan 400 

  
 ©2022 Jodi Benaroch, It's Elementary; Atlanta, GA, USA; Kodak Brownie 127 with flipped lens, Kentmere Pan 100
 
 
©2022 Kenneth Loen, untitled; Seattle, WA, USA; Clix-O-Flex, Shanghai GP3



 © 2022 Salvador Busquets, Dry Collodion trials; Palau-Solità i Plegamans, Catalonia; Vest Pocket Kodak, Fomapan 100 cut to 127  
 

©2022 Doug Hollaway, Adrift; Hesperia, California, USA; Ensign E29, Kodak Verichrome Pan (expired 09/70)


©︎2022 Yoshinobu Imaoka, When we close the curtains, our secret begins.;  Okayama, Japan; Yashica 44; Fomapan 100
 
 
© 2022 Dale Willetts, Church oopsie; Claines Worcester, UK; Ensign E29, Ilford FP4 plus

 
 © 2022 Lionel Bouchpan-Lerust-Juery, Zug by the Lake; Zug, Switzerland; Yashica 44LM, Rera Chrome 100
 
 
© 2022 Terry Byrne, Working From Home, Princeton, New Jersey, USA; Topcon Primo Jr., Ilford HP5
 

 ©2022 Dave Hg (Dave Hughes), An Archetype; Markeaton Park, UK; Zeiss Ikonta 127, Verichrome Pan expired 1976
 
 
 © 2022 Michael C. Durling; Beach Balls; York River, Virginia, USA; Yashica 44a; Rollei Infrared film
 
 
©2022 Ph. Ostertag, Even « LGM » visit Geneva; Switzerland; Yashica 44, Rerachrome 100 

 

 ©2022 J. Mach, Railroad Tracks; Gilbert, Arizona, USA; Rolleiflex 4x4, ReraPan 100


©2022, Steven Aimone, Urban Decay: Concrete Railroad Bridge; Emma Road, Asheville, NC, USA; Ferrania Tanit, Rera Pan Film 127 B&W ISO 400


© 2022 Nicholas Middleton, Condemned Trees; London U.K; Baby Ikonta, Rollei Superpan



 ©2022 Umechan, Our rest spot.; Tokyo, Japan; Sawyer's Mark IV; Instax mini 
 
 
 ©2022 Eric the Red, Meandering Thoughts; Kingman, Kansas, USA; Kodak Baby Brownie Special, Bluefire Murano 160
 

©2022 Slim Blanks, Calla; Primarette, film unbranded and got in camera


©2022 John Alton, Lytton Park (127 Day); Toronto, Ontario, Canada; Primo Jr., Rerapan 400
 
 
© 2022 Eben Ostby, Garlic Hexaptych; Virginia, USA; Kodak (Nagel) Vollenda, Carestream green panoramic x-ray film cut to 300mm x 46mm on 127 backing paper



©2022 Jim Rohan, Thunder Cove Evening; Lower Darnley, Prince Edward Island, Canada; Kodak Baby Brownie Special, 46mm Ilford HP5+ 


 
©2022 Alessandro Lisci aka Roderick Usher, Sella del diavolo sole rosso sale; Sardegna, Italia; Brownie 127, Ferrania Solaris (expired 35 mm film) 

 
©2022 J. M. Golding, Unexpected magic; northern California, USA; Yashica 44A, Ilford HP5+
 
 
 
 
 
 
 
*and that's if you count all three Yashica 44 models as "the same."





 

 

No comments:

Post a Comment